Image of the painting Tethered, July 2026. The painting shows a figure floating or held with a gradient blue back ground. The figure sits at the lower half amongst the light blue and as the painting progresses to darker blue at the top. Abstract shapes of a dark blue highlighted with red and yellow are dotted across the dark blue section. The figure is held by an arm and hand which reaches up from he bottom of the canvas. The figures hair is made of feathers and there is a general sense of air movement or wind blowing upwards from the bottom of the canvas.

Tethered (2026)
Acrylic on canvas
120cm x 100cm

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This painting explores human connection and relationship dynamics. Throughout life, we become tethered to others, but each connection is unique. I was thinking a great deal about how we perceive relationship dynamics vs what actually exists and what we see when we shift perspective.

Is the figure restrained or secured by the arm and hand that holds it?

Does the figure reach their right hand to the tethering arm to hold on despite it stripping their flesh, or do they try to break the hold even though it causes them harm?

Why does the figure cover their face, a simple act of hiding, sadness of letting go, fear of being swept up into the abyss above if the hand releases the figure?

Maybe it’s all of these. Our relationships with others are endlessly influx and we take on different roles that come with different emotions at different stages of life and points in time. I